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Full Schedule

Full Schedule

  • Wednesday, January 6, 2021
  • 9:00 AM – 10:00 AM EST
    Internal Compass Combo
  • 10:00 AM – 10:50 AM EST
    Panel Discussion on Artistic Jazz Research
  • 10:00 AM – 11:00 AM EST
    The National Jazz Workshop All-Star Big Band
  • 10:00 AM – 5:00 PM EST
    "Who's That with Herb Wong?" / The Life and Legacy of the Father of Jazz Education
  • 10:00 AM – 5:00 PM EST
    A Study in Effective Teaching Methods for Jazz Voice Technique in Higher Education
  • 10:00 AM – 5:00 PM EST
    Addressing Gender Disparities Within Jazz Ensemble Literature & Programming at the Collegiate Level
  • 10:00 AM – 5:00 PM EST
    Beyond Fourths and Pentatonics: A Critical Analysis of Selected Recordings of McCoy Tyner from 1962 to 1963
  • 10:00 AM – 5:00 PM EST
    Bossa Nova is not snapped on 2 and 4: A study on content lost in translation, cultural appropriation, and racism
  • 10:00 AM – 5:00 PM EST
    Bridging Traditions: A Musico-cultural Analysis of Sequence, Pattern and Musical Rhyme in the Improvised Solos of Charlie Haden After 1975
  • 10:00 AM – 5:00 PM EST
    Charting the History of the Al Cobine Big Band
  • 10:00 AM – 5:00 PM EST
    Does flamenco jazz exist?
  • 10:00 AM – 5:00 PM EST
    Embodied Music Composition: Uncovering Layers of Meaning Through a Collaborative Process
  • 10:00 AM – 5:00 PM EST
    Gypsy Jazz Perspectives
  • 10:00 AM – 5:00 PM EST
    Hidden Gems? The University of Wyoming Harry James Collection
  • 10:00 AM – 5:00 PM EST
    Joe Pass on Relaxin' at the Camarillo - Breaking Down a Beautiful Solo
  • 10:00 AM – 5:00 PM EST
    Melodic Rhythms, Intervals, and Harmony in Selected Works of Jerry Bergonzi (Culmination of four years of doctoral research)
  • 10:00 AM – 5:00 PM EST
    Open to Interpretation: Allegory and Code-Meshing in Ellington and Ailey’s Ballet The River
  • 10:00 AM – 5:00 PM EST
    The Challenges and Advantages of the Female Self-Accompanied Jazz Pianist/Vocalist
  • 10:00 AM – 5:00 PM EST
    The Evolution of the Ride Cymbal Pattern from 1917 to 1941: An Historical and Critical Analysis
  • 10:00 AM – 5:00 PM EST
    The Musical Language of the Miles Davis Rhythm Section, 1955-1958
  • 10:00 AM – 5:00 PM EST
    The Trombone in the Hard Bop Era
  • 11:00 AM – 11:25 AM EST
    The Ten Habits of Highly Effective Scat Singers: Revisited
  • 11:30 AM – 11:55 AM EST
    From Jim Crow to Black Lives Matter: Voices Raised in Jazz and Protest
  • 12:00 PM – 1:00 PM EST
    Hoover High School Jazz Ensemble
  • 1:00 PM – 1:25 PM EST
    Construction of Jazz Women Instrumentalist Stereotype: Media representation that needs to be rewritten
  • 1:00 PM – 2:00 PM EST
    Wellington Secondary School Dobek/Morsosan/Stevenson Trio
  • 1:30 PM – 1:55 PM EST
    Examining the Abstraction of Language and Gender in an Undergraduate Vocal Jazz Ensemble: A Case Study
  • 2:00 PM – 2:25 PM EST
    Peggy Lee at 100: A Jazz Singer's Artistry Revealed in Black Coffee and Mink Jazz
  • 2:30 PM – 2:55 PM EST
    A Selective Survey of Jazz Materials for the Elementary Music Classroom
  • 3:00 PM – 4:00 PM EST
    Trinity Combo 1
  • 3:30 PM – 3:55 PM EST
    Doing Musical Detective Work: Finding and Editing Source Material for a Jazz Repertory Concert
  • 4:00 PM – 4:50 PM EST
    Research Findings, Help Understanding Them, and Information Regarding Presenting and Submitting Work.
  • 4:00 PM – 5:00 PM EST
    Trinity Jazz Messengers
  • 6:00 PM – 6:05 PM EST
    President's WELCOME
  • 6:05 PM – 6:30 PM EST
    Dizzy Spellz
  • 6:30 PM – 7:20 PM EST
    Jeremy Monteiro and the Singapore Jazz All Stars
  • 7:30 PM – 8:00 PM EST
    University of Nevada Las Vegas Honors Jazz Trio
  • 8:40 PM – 9:30 PM EST
    Twenty Years of Trio East
  • 9:30 PM – 10:20 PM EST
    Brecker Plays Rovatti
  • 10:30 PM – 11:00 PM EST
    Brianna Thomas
  • 11:00 PM – 11:59 PM EST
    The Dave Liebman Big Band Celebrating the Music of John Coltrane
  • 11:55 PM – 1:00 AM EST
    Late Night Social: Composers
  • 11:55 PM – 1:00 AM EST
    Late Night Social: Research