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Acoustics & Psychoacoustics
5:30 AM – 6:30 AM

Active Sensing and Slow Listening
Thomas Lund – Genelec OY; Susan E. Rogers – Berklee College of Music
Acoustics & Psychoacoustics
6:30 AM – 7:30 AM

Perceptually motivated filter design with applications to loudspeaker and room equalization
Balázs Bank – Budapest University of Technology and Economics
Acoustics & Psychoacoustics
5:00 AM – 6:00 AM

The Ravages of Time
Live Stream 2
Bruce Black – MediaRooms Technology LLC
Acoustics & Psychoacoustics
6:00 AM – 7:00 AM

The Secret Life of Low Frequencies
Live Stream 2
Bruce Black – MediaRooms Technology LLC
Acoustics & Psychoacoustics
7:00 AM – 8:00 AM

"Perceptual Audio Coders - What To Listen For" - The Web Edition
Live Stream 2
Juergen Herre – International Audio Laboraties Erlangen / Fraunhofer IIS; Sascha Dick – International Audio Laboratories Erlangen; Christof Faller – Illusonic GmbH
Acoustics & Psychoacoustics
7:30 AM – 8:30 AM

Binaural Sound in ASMR-inducing Media and Wellbeing
Live Stream 1
Claudia Nader Jamie – University of York
Acoustics & Psychoacoustics
Archiving & Restoration
5:00 AM – 6:00 AM

NEMOSINE - The future of media storage: A state of the art packaging concept for storage and conservation of 20th century cultural heritage artefacts based on cellulose derivatives
Live Stream 1
Nadja Wallaszkovits – Phonogrammarchiv, Austrian Academy of Sciences, Vienna
Archiving & Restoration
6:00 AM – 7:00 AM

Restoration and Optimized Transfer of Historical Magnetic Audio Tapes: Safeguarding Valuable Contemporary Audio Documents
Live Stream 1
Nadja Wallaszkovits – Phonogrammarchiv, Austrian Academy of Sciences, Vienna; Katrin Abromeit – Phonogrammarchiv, Austrian Academy of Sciences, Vienna
Archiving & Restoration
Audio Applications and Technologies
5:00 AM

Content matching for sound generating objects within a visual scene using a computer vision approach, EC#101
Dan Turner – AudioLab, University of York
Audio Applications and Technologies
5:00 AM

Investigating user interface preferences for controlling background-foreground balance on connected TVs
Lawrence Pardoe – BBC Research and Development
Audio Applications and Technologies
5:00 AM

Production Vehicle Audio System Validation, Diagnostics and Calibration
Steve Hutt – Equity Sound Investments
Audio Applications and Technologies
5:00 AM

Reimagining Robb: The Sound of the World’s First Sample-based Electronic Musical Instrument circa 1927
Michael J. Murphy – Ryerson University
Audio Applications and Technologies
5:00 AM

Study on comparison of individuality of ear canal shape
Riki Kimura – National Institute of Technology, Nagaoka College
Audio Applications and Technologies
5:00 AM

Trans-Europe Express Audio: testing 1000 mile low-latency uncompressed audio between Edinburgh and Berlin using GPS-derived word clock, first with JackTrip then with Dante.
Paul Ferguson – Edinburgh Napier University
Audio Applications and Technologies
5:00 AM

Visualization of differences in ear acoustic characteristics using t-SNE
Rei Ominato – National Institute of Technology, Nagaoka College
Audio Applications and Technologies
Audio for Cinema
7:00 AM – 8:00 AM

Sound for extreme 360° productions
Live Stream 2
Martin Rieger – VRTonung
Audio for Cinema
7:00 AM – 8:00 AM

Spatial audio for immersive cinema: Ambisonics encoding, spatialization and mixing
Live Stream 1
Eduardo Patricio – Independent professional
Audio for Cinema
8:30 AM – 9:00 AM

INVESTIGATING THE IMPORTANCE OF HEIGHT CHANNELS OF CINEMA SURROUND SYSTEMS
Live Stream 2
Ahmed Gelby – Overdub UK - Edinburgh Napier University
Audio for Cinema
Audio Signal Processing
5:00 AM

A deep learning approach to sound classification for film audio post-production
Josh Reiss – Queen Mary University of London
Audio Signal Processing
5:00 AM

A Novel and High Efficient Simulation Model of Loudspeaker
Zhiwen Chen – TYMPHANY ACOUSTIC TECHNOLOGY (HUIZHOU) CO.,LTD
Audio Signal Processing
5:00 AM

Acoustic Source Localization and High Quality Beamforming Using Coincident Microphone Arrays
Jonathan D. Ziegler – Stuttgart Media University / Eberhard Karls University Tübingen
Audio Signal Processing
5:00 AM

Analysis of an alternative approach to digital domain volume control claiming high perceptual audio quality
Thierry Heeb – SUPSI (University of Applied Sciences of Southern Switzerland)
Audio Signal Processing
5:00 AM

Analysis of the Nonlinear Transfer Functions of a Pedal Effector with a Starving Circuit
Masaki Inui – Hiroshima Institute of Technology
Audio Signal Processing
5:00 AM

Computational efficient real-time capable constant-Q spectrum analyzer
Felix Holzmüller – University of Music and Performing Arts Graz; Graz University of Technology
Audio Signal Processing
5:00 AM

Investigating timbral differences of varied velocity snare drum strikes
Matthew Cheshire – Birmingham City University (DMT Lab)
Audio Signal Processing
5:00 AM

Investigation on Balanced-Delay Filter-Bank for Encoding Multi-Channel Audio Signals
Ikhwana Elfitri – Dept. of Electrical Engineering, Universitas Andalas
Audio Signal Processing
5:00 AM

Prediction of hearing loss through application of Deep Neural Network
Eugenio Donati – University of West London
Audio Signal Processing
5:00 AM

Pruning of an Audio Enhancing Deep Generative Neural Network
Simon Plain – Dolby Germany GmbH
Audio Signal Processing
5:00 AM

Shelving Filter Cascade with Adjustable Transition Slope and Bandwidth
Frank Schultz – University of Rostock
Audio Signal Processing
5:00 AM

Tutorial on Scaling of the Discrete Fourier Transform and the Implied Physical Units of the Spectra of Time-Discrete Signals
Jens Ahrens – Chalmers University of Technology
Audio Signal Processing
Education
7:30 AM – 8:30 AM

Transform Processing Of Audio: The Good, The Bad, And The Ugly!
Jamie A.S. Angus – University of Salford
Education
8:30 AM – 9:30 AM

Audio Signal Processing In The Real World: Dealing With The Effects Of Finite Precision
Jamie A.S. Angus – University of Salford
Education
10:00 AM – 11:00 AM

Teaching Technology in the Time of Pandemic
Live Stream 2
Scott Burgess – Univ of Colorado - Denver; Leslie Gaston-Bird – Audio Engineering Society; Neil Anderson-Himmelspach – Texas Christian University (TCU); Daniel Gonko – The Sounding Board; George J. Hess, Jr. – Sunway University
Education
11:00 AM – 12:00 PM

Studios in Higher Education
Live Stream 1
Scott Burgess – Univ of Colorado - Denver; Theresa Leonard – Aspen Music Festival and School; Richard King – McGill University, Montréal, Québec, Canada; Mark W. Drews – University of Stavanger
Education
12:00 PM – 1:00 PM

Gender Equity and Inequality in Audio engineering - Multiple Perspectives
Live Stream 1
Amandine Pras – University of Lethbridge; Grace Brooks – McGill University; Jamie A.S. Angus – University of Salford; Shelley Ann McCarthy Buckingham – Limerick Institute of Techology; Eliot Bates – The Graduate Center, CUNY; Samantha Bennett – Australian National University
Education
1:00 PM – 2:00 PM

Remapping the Model of Studio Production Techniques
Live Stream 1
Amandine Pras – University of Lethbridge; Paul Thompson – Leeds Beckett University; Maël Peneau – EHESS / Centre Georg Simmel; James Clemens-Seely – Banff Centre for Arts and Creativity; Leonard M. Menon – University of Lethbridge
Education
Game Audio/AVAR/Spatial Audio
8:00 AM – 9:00 AM

Spatialized Storytelling: Aesthetics of spatial audio and narrative creative approaches
Live Stream 1
Zachary Bresler – University of Agder; Stefania Serafin – Aalborg University; Thomas Aichinger – scopeaudio; Peter Kollreider – hoeragentur / sonic traces
Game Audio/AVAR/Spatial Audio
10:00 AM – 11:00 AM

Procedural audio using the Web Audio API
Live Stream 1
Josh Reiss – Queen Mary University of London
Game Audio/AVAR/Spatial Audio
11:00 AM – 12:00 PM

Immersive Storytelling: Narrative aspects in AR audio applications
Live Stream 1
Thomas Aichinger – scopeaudio
Game Audio/AVAR/Spatial Audio
12:00 PM – 1:00 PM

Crafting 3D Soundscapes for the Audi AI:ME Flying VR Experience
Live Stream 1
Benjamin Gallagher – Double Shot Audio; Made Indrayana – Double Shot Audio
Game Audio/AVAR/Spatial Audio
1:00 PM – 2:00 PM

Gibbs-Spatial Audio Mixing (Queen Remix plus HRTF Demo w/ 360 Video)
Live Stream 1
Bt Gibbs – Skyline Entertainment & Publishing
Game Audio/AVAR/Spatial Audio
5:00 AM – 6:00 AM

Binaural Audio V2 - Is Future Entertainment Ready to Go?
Live Stream 2
Tom Ammermann – New Audio Technology GmbH; Agnieszka Roginska – New York University; Andres Mayo – @360MusicLab; Thilo Schaller – Composer/SUNY Buffalo State; David Huber
Game Audio/AVAR/Spatial Audio
7:00 AM – 7:30 AM

Virtual audio interfaces - interacting with sound and music in extended realities
Live Stream 2
Przemyslaw Danowski – Fryderyk Chopin University of Music; Andrei Isakov; Jakub Wroblewski
Game Audio/AVAR/Spatial Audio
7:30 AM – 8:30 AM

Epic 3D Sound Design for Immersive Media
Live Stream 2
Diogo Goncalves – Sound Particles
Game Audio/AVAR/Spatial Audio
Loudspeakers and Microphones
5:00 AM

A personal, 3D printable compact spherical loudspeaker array
Valerian Drack – University of Music and Performing Arts, Graz
Loudspeakers and Microphones
5:00 AM

Acoustic Vibration Analysis of the Shell-Structured Distributed Mode Loudspeaker
Tasuku Kurosawa – Graduate School of System Design / Tokyo Metropolitan University
Loudspeakers and Microphones
5:00 AM – 11:00 AM

An Investigation on the Effect of Secondary Source Coupling in an Active Noise Control System in a Confined Space
Samira Mohamady – IAV GmbH
Loudspeakers and Microphones
5:00 AM

Analysis of nonlinear distortions in a digital MEMS microphone
Jan Banas – Intel Technology Poland
Loudspeakers and Microphones
5:00 AM

Comprehensive speaker protection concept for micro-speakers
Gottfried K. Behler – Institute of Technical Acoustics, RWTH Aachen University
Loudspeakers and Microphones
5:00 AM

Development and analysis of a MEMS based multi-driver headphone to introduce individualised pinnae frequency shaping, EC#71
Alexander Vilkaitis – USound GmbH
Loudspeakers and Microphones
5:00 AM

Development of an Open Source Customizable High Order Rigid Sphere Microphone Array
Oscar Moschner – TH Köln - University of Applied Sciences
Loudspeakers and Microphones
5:00 AM

DIY Modifications for Acoustically Transparent Headphones
Nils Meyer-Kahlen – Aalto University
Loudspeakers and Microphones
5:00 AM

Limitations of Single-Surface Horns for Directivity Control
Bjorn Kolbrek – Celestion
Loudspeakers and Microphones
5:00 AM

Metamaterial Absorber for Loudspeaker Enclosures, EC#43
Sebastien Degraeve – GP Acoustics (UK) Ltd.
Loudspeakers and Microphones
5:00 AM – 11:00 AM

Non-linear acoustic losses prediction in vented loudspeaker using computational fluid dynamic simulation
Yves PENE – L-Acoustics
Loudspeakers and Microphones
5:00 AM

Power-based thermal limits for micro-speaker protection algorithms
Congcong Peng – Silicon Integrated, Co., Ltd.
Loudspeakers and Microphones
5:00 AM – 11:00 AM

Predicting loudspeaker current distortion with FEA
Marco Baratelli – Bowers & Wilkins Group Ltd
Loudspeakers and Microphones
5:00 AM

THE MODELING OF A FINITE THICKNESS SHORT-RING FOR LOSSY BLOCKED VOICE COIL IMPEDANCE
Isao Ginn Anazawa – NY Works
Loudspeakers and Microphones
5:00 AM

Upper Frequency Limit of Flat Panel Loudspeakers - Evaluation of the Voice Coil Break-Up Modes
Benjamin Zenker – TU Dresden / Hommbru GmbH
Loudspeakers and Microphones
Network Audio
5:00 AM

Generative Adversarial Networks for Audio Equalization: an evaluation study
Giovanni Pepe – Università Politecnica delle Marche
Network Audio
Perception and Evaluation of Audio
5:00 AM

A new approach to predicting listener’s preference based on acoustical parameters
Peter Critchell
Perception and Evaluation of Audio
5:00 AM

Are full-range loudspeakers necessary for the top layer of 3D audio?
Toru Kamekawa – Tokyo University of the Arts
Perception and Evaluation of Audio
5:00 AM

Comparing speech identification under degraded acoustic conditions between native and non-native English speakers
Eugenio Donati – University of West London
Perception and Evaluation of Audio
5:00 AM

Comparing training effects associated with two sets of HRTF data on auditory localization performance
Sungyoung Kim – Rochester Institute of Technology
Perception and Evaluation of Audio
5:00 AM

Evaluation of the Perceived Naturalness of Artificial Reverberation Algorithms
Zoran Cvetkovic – King's College London
Perception and Evaluation of Audio
5:00 AM

Influence of horizontal loudspeaker layout geometry on sweet area shape for widened/diffuse frontal sound
Lukas Gölles – Graz University of Technology; University of Music And Performing Arts Graz
Perception and Evaluation of Audio
5:00 AM

Investigation on the perceived audio quality of Higher Order Ambisonics recordings with a reduced number of A-format audio channels
Alan Pawlak – University of Huddersfield
Perception and Evaluation of Audio
5:00 AM

Quality of Musicians' Experience in Network Music Performance: A Subjective Evaluation
KONSTANTINOS TSIOUTAS – Athens University if Business and Economics Computer Science Department
Perception and Evaluation of Audio
Product Development
5:00 AM – 6:00 AM

Deep Learning for Audio Applications - Engineering Best Practices for Data
Live Stream 1
Gabriele Bunkheila – MathWorks
Product Development
6:00 AM – 7:30 AM

Creating Audio Products with Maximum End User Value
Live Stream 1
Wolfgang Klippel – Klippel GmbH
Product Development
Recording & Production
5:00 AM

The effect of hand position on handheld microphones' frequency response and directivity
Eddy B. Brixen – EBB-consult / DPA Microphones / Danish National School of Performing Arts
Recording & Production
12:00 PM – 1:00 PM

Miniature Microphones—Why Are They So Attractive?
Eddy B. Brixen – EBB-consult / DPA Microphones / Danish National School of Performing Arts; John Born – Shure Inc.; Ryan Rumery – Pen o Three; Stephanie A. Farina – IATSE Stagehand Local 2 and Aria Music Designs, LLC
Recording & Production
5:00 AM – 6:00 AM

Artistic Immersive Sound Contents Creation using the 22.2 Multichannel Sound
Live Stream 1
Toru Kamekawa – Tokyo University of the Arts; Kimio Hamasaki – ARTSRIDGE LLC; Hideo Irimajiri – WOWOW Inc.,; Miyu Hosoi – Freelance; Misaki Hasuo – WOWOW Inc.
Recording & Production
6:00 AM – 7:00 AM

Goodbye Stereo
Live Stream 1
Thomas Lund – Genelec OY; Hyunkook Lee – University of Huddersfield
Recording & Production
8:00 AM – 9:00 AM

Creative Recording Techniques
Live Stream 2
Lenise Bent – Soundflo Productions
Recording & Production
5:00 AM – 6:00 AM

Microphone Specifications: The bad things – Specs we don’t show
Live Stream 2
Helmut Wittek – Schoeps Mikrofone; Eddy B. Brixen – EBB-consult / DPA Microphones / Danish National School of Performing Arts; Martin Schneider – Georg Neumann GmbH
Recording & Production
6:00 AM – 7:00 AM

Microphone Technique – Heads, Hands and Handling
Live Stream 2
Martin Schneider – Georg Neumann GmbH
Recording & Production
11:00 AM – 12:00 PM

The Lead Vocal – Record and Mix Strategies
Live Stream 2
Alex U. Case – Sound Recording Technology, UMass Lowell
Recording & Production
Recording and Production, Audio Education
5:00 AM

Barrier Effect at Open-air Concerts, Part 1
Joan F. La Roda – Work Pro
Recording and Production, Audio Education
5:00 AM

Body-controlled sound field manipulation as a performance practice
Damian T. Dziwis – TH Köln - University of Applied Sciences
Recording and Production, Audio Education
5:00 AM

Design of the acoustic enhancement system for crowd enhancement in the Qatar Univ. Sports & Events Complex
Takayuki Watanabe – Yamaha Corp.
Recording and Production, Audio Education
5:00 AM

Mixing with Intelligent Mixing Systems: Evolving Practices and Lessons from Computer Assisted Design
M. Nyssim Lefford – Luleå University of Technology
Recording and Production, Audio Education
5:00 AM

Music and Space: A case of live immersive music performance with the Norwegian post-rock band Spurv
Zachary Bresler – University of Agder
Recording and Production, Audio Education
8:00 AM – 9:00 AM

Platinum Partner Webinar: Immersive Audio Demystified
Live Stream 2
Recording and Production, Audio Education
6:00 AM – 7:00 AM

Improving the Sound of Your Home Studio
Live Stream 2
Recording and Production, Audio Education
Room Acoustics
5:00 AM – 11:00 AM

Analysis of acoustic parameters of churches in Krakow
Piotr Cieslik – AGH University of Science and Technology
Room Acoustics
5:00 AM

Deep Diffusorbers: Real World Application and Scalability of Amplitude Grating Diffuser-Covered Ultra-Wideband Absorbers in Small to Medium Sized Venues
Gernot Ebenlechner – Gernot Ebenlechner e.U.
Room Acoustics
5:00 AM

Impact of room acoustics on perceived vocal fatigue of staff-members in Higher-education environments: a pilot study
Sebastian Duran – Solent University
Room Acoustics
5:00 AM

Towards encoding perceptually salient early reflections for parametric spatial audio rendering
Fabian Brinkmann – Audio Communication Group, Technical University of Berlin
Room Acoustics
5:00 AM

Visualization of room reflections using a linear loudspeaker array and a single microphone
Cagdas Tuna – International Audio Laboratories Erlangen (AudioLabs)
Room Acoustics
5:00 AM

Working with room acoustics as a sound engineer using active acoustics
Fabio Kaiser – Rohde Acoustics
Room Acoustics
Sound Reinforcement
7:00 AM – 8:00 AM

Quality Assurance of Live Sound Reinforcement Equipment
Live Stream 1
Robert Werner – KLIPPEL GmbH; Markus Gork
Sound Reinforcement
8:00 AM – 9:00 AM

NoizCalc: Noise Predictions using Sound System Data & Complex Summation
Live Stream 1
Daniel Belcher – d&b audiotechnik
Sound Reinforcement
10:00 AM – 11:00 AM

3D / spatial audio for fulldomes, theatres and events
Live Stream 1
Tom Ammermann – New Audio Technology GmbH
Sound Reinforcement
11:00 AM – 12:00 PM

BEYOND LEFT & RIGHT: WHERE DID IMMERSIVE LIVE SOUND COME FROM, AND WHERE IS IT GOING?
Live Stream 1
David W. Scheirman – Bose Professional
Sound Reinforcement
12:00 PM – 1:00 PM

How to organize unbiased PA/SR listening tests
Live Stream 1
Eddy B. Brixen – EBB-consult / DPA Microphones / Danish National School of Performing Arts; Malle Kaas – Women In Live Music; Bob McCarthy – Meyer Sound; David W. Scheirman – Bose Professional; Scott Sugden – L-Acoustics
Sound Reinforcement
1:00 PM – 2:00 PM

Large-scale loudspeaker system calibration, from simulation-based design to onsite tuning
Live Stream 1
Scott Sugden – L-Acoustics
Sound Reinforcement
Spatial Audio
5:00 AM

Accuracy of photogrammetric extraction of the head and torso shape for personal acoustic HRTF modeling
Aki Makivirta – Genelec
Spatial Audio
5:00 AM – 11:00 AM

Audio portraiture sound design- the development and creation of audio portraiture within immersive and binaural audio environments.
Maree Sheehan – Auckland University of Technology
Spatial Audio
5:00 AM

COMPARISON OF PERCEPTION OF SPATIAL LOCALIZATION BETWEEN CHANNEL AND OBJECT BASED AUDIO
Tomáš Oramus – Academy of Performing Arts in Prague
Spatial Audio
5:00 AM

Creating virtual height loudspeakers using VHAP
Kacper Borzym – University of Huddersfield
Spatial Audio
5:00 AM

Dataset Augmentation and Dimensionality Reduction of Pinna-Related Transfer Functions
Corentin Guezenoc – FAST Research Team, Institute of Electronics and Telecommunications of Rennes (CNRS UMR 6164), CentraleSupélec
Spatial Audio
5:00 AM

Direction of arrival estimation based on transfer function learning using autoencoder network
Yiwen Wang – Peking University
Spatial Audio
5:00 AM

Effects of rigid spherical scatterer on spatial audio reproduction quality
Lauros Pajunen – Faculty of Information Technology and Communication Sciences, Tampere University
Spatial Audio
5:00 AM

Emily’s World: behind the scenes of a binaural synthesis production
David Poirier-Quinot – IRCAM - CNRS - Sorbonne Université
Spatial Audio
5:00 AM

Generalised Low Frequency 3D Audio
Jacob Hollebon – ISVR, University of Southampton
Spatial Audio
5:00 AM

Influence of individual HRTF preference on localization accuracy – a comparison between regular and bone conducting headphones
Minh Voong – Osnabrück University
Spatial Audio
5:00 AM

Multichannel Acoustic Echo Cancellation for Ambisonics-based Immersive Distributed Performances
Marcel Nophut – Leibniz University Hannover
Spatial Audio
5:00 AM

Optimized binaural rendering of Next Generation Audio using virtual loudspeaker setups
Felix Lau – Institut für Rundfunktechnik
Spatial Audio
5:00 AM

Predicting Directional Sound-Localization of human listerners in both Horizontal and Vertical Dimensions
Roberto Barumerli – Dept. of Information Enginnering, University of Padova
Spatial Audio
5:00 AM

Recording first-order Ambisonics with a differential array of two dual-diaphragm microphones
Thomas Deppisch – University of Technology and University of Music and Performing Arts, Graz, Austria
Spatial Audio
5:00 AM

The Ambisonic Partially Matching Projection Decoding Method for Near-Field Sound Sources
Zhongshu Ge – Peking University
Spatial Audio
5:00 AM

Towards Mobile 3D HRTF Measurement
Song Li – Institute of Communications Technology, Leibniz Universität Hannover
Spatial Audio
5:00 AM – 11:00 AM

Real-time auralization while having prepared in advance for possible head movements
Mantas Tamulionis – Vilnius Gediminas Technical University
Spatial Audio
Special Events
5:00 AM – 5:30 AM

Opening Ceremony
Piotr Majdak – Acoustics Research Institute, Austrian Academy of Sciences; Nadja Wallaszkovits – Phonogrammarchiv, Austrian Academy of Sciences, Vienna; Agnieszka Roginska – New York University; Colleen Harper – Audio Engineering Society
Special Events
9:30 AM – 10:00 AM

Heyser Presentation: Sound Quality in the Era of Interaction and Extended Reality
Francis Rumsey – Logophon Ltd
Special Events
1:00 PM – 2:00 PM

Organ Recital for AES Virtual Vienna
Special Events
9:00 AM – 10:00 AM

Keynote Lecture: Audio from a Biological Perspective
Live Stream 1
Marisa Hoeschele – Acoustics Research Institute, Austrian Academy of Sciences
Special Events
9:00 AM – 10:00 AM

Keynote Lecture: Try Ambisonics, It's Better Than Ever!
Live Stream 1
Franz Zotter – University of Music and Performing Arts, Institute of Electronic Music and Acoustics, Graz
Special Events
9:00 AM – 10:00 AM

Keynote Lecture: Dicing With Audio
Live Stream 1
Jamie A.S. Angus – University of Salford
Special Events
Student & Career Development
10:30 AM – 12:00 PM

Getting A Foot In The Door - building a career in Sound Engineering
Darryn de la Soul – Soulsound School Limited
Student & Career Development
Students
10:00 AM – 10:30 AM

Student Delegate Assembly 1
Bartlomiej Chojnacki – AGH University of Science and Technology; Alex Dempsey; Kamila Pietrusińska – Gdansk University of Technology; Hannah Gallop – Audio Engineering Society; Magdalena Piotrowska; John Krivit
Students
10:30 AM – 12:00 PM

Creating VST Plugins with MATLAB (3rd MATLAB Plugin AES Student Competition)
Gabriele Bunkheila – MathWorks
Students
10:50 AM – 12:05 PM

Student Recording Critiques
Students
10:00 AM – 1:00 PM

Student Recording Competition Audio Category
Live Stream 2
Students
1:00 PM – 2:00 PM

Student Design Competition
Live Stream 2
Students
7:50 AM – 9:05 AM

Student Recording Critiques
Students
11:00 AM – 2:00 PM

Student Recording Competitions - Remix, Sound for Visual Media and Immersive Audio
Live Stream 2
Students
10:00 AM – 11:00 AM

Student Delegate Assembly 2
Live Stream 1
Bartlomiej Chojnacki – AGH University of Science and Technology; Alex Dempsey; Hannah Gallop – Audio Engineering Society; Kamila Pietrusińska – Gdansk University of Technology; John Krivit; Magdalena Piotrowska
Students
11:00 AM – 12:00 PM

Getting your Start in Audio Programming
Students
11:50 AM – 1:05 PM

Student Recording Critiques
Students
Tech Tours
5:00 AM

Tech Tour: Synchron Stage / Vienna Symphony Library
Tech Tours
5:00 AM

Tech Tour: SONIC TRACES - immersive augmented audio stories
Thomas Aichinger – scopeaudio
Tech Tours
5:00 AM

Tech Tour: Austrian Audio
Tech Tours
5:00 AM

Tech Tour: University of Music and Performing Arts Vienna
Tech Tours